Installation view of Enari Gallery’s booth at Untitled Art, Miami Beach, 2025. Photo by Silvia Ros. Courtesy of Enari Gallery.
Under a blazing winter sun on Miami Beach, visitors filed into the white tent of Untitled Art for the fair’s VIP day on Tuesday, December 2nd. Launched in 2012, Untitled Art is now a key plank in Miami Art Week's packed slate of openings and events. This year’s fair features 160 galleries from 29 countries, a small contraction from the 176 exhibitors in 2024. A strong group of more than 25 newcomers breathed new life throughout the fair. Many debutants can be found in its curated Nest sector—led by Jonny Tanna, founder of London tastemaker Harlesden High Street.
Three hanging sculptures line the front of Amsterdam-based Enary Gallery's booth. Part of Dimitris Tampakis “Charmides” series, the two aluminium dagger-like casts represent figures that chime upon impact, embodying what gallery founder Christina Voulgari describes as “philosophical tension and ritualized intellectual conflict.” The sculptures foreground a series of zinc-based etchings of hands, also on view. These include Presumption of Innocence (2025), which depicts hands emerging from the shadows. The gallery pairs Tampakis’s work with a series of intimate portraits by Johanna Bath. In gesture (2025), for instance, a hand caresses a cheek in a soft photorealistic style, representative of the artist’s meditative composition and muted palette. Taken together, these works examine how the body becomes a vessel for both conflict and care, holding tension just beneath their surfaces.
