In her first solo exhibition, now under discussion, a sense of hope emerges through the dense vegetation in her works, a hope that we deserve a better reality than the one offered by the suffocating cities we inhabit.
"Having a strong experience of the countryside, her contact with folk painting and agricultural practices lends an almost spiritual quality to her work. The melancholy that dominates her painting functions as a threshold between past, present and future, giving the sense of an eternal space-time," says the exhibition's curator, Odette Kouzou.
