Arrangements in the making invites the viewer to see not just a landscape, but an internal geography, one drawn from moments of pause, doubt, and anticipation. It’s as much about process, of becoming, as it is about what’s seen. Fleeting compositions of light, shadow, sky, and foliage are translated into canvas. There’s a gentle tension here: forms are familiar but softened, edges uncertain, colours that hover between clarity and haze. The painting suggests that arrangements are always “in the making”, never fully resolved, always subject to change, both in nature and in the self.