In Guava II, Johanna Bath continues her exploration of visual memory through the poetic language of softness and suggestion. The painting dissolves the boundary between object and atmosphere, rendering the natural world as a sensory impression rather than a literal scene. Lush greens and muted golds blur into one another, as if seen through a fogged window or recalled in a half-formed memory. Bath’s brushwork evokes stillness and introspection, transforming fruit and foliage into quiet meditations on presence, perception, and the tender erosion of detail over time.